Assertive
and confident, from deep within the hazy mists of time, escorted by the mother goddess
Hathor and Anput, his local district goddess, the pharaoh Mykerinus (Menkaure) steps
towards us, out from the hard greywacke stele which has withstood the ravages
of time. An imposing figure, handsome, determined and very much a leader of men, he now stands just a few kilometres from his most imposing monument, the
smallest of the three Pyramids of Giza. The world he knew was a one of opulence
and innovation, a remarkable civilisation encapsulated within the narrow
confines of the Nile Valley.
The Three Pyramids of Giza, That of Mykerinus (Menkaure) is on the right |
The great sepulchral monuments of the vast
necropolis of the Western
Desert has inspired
mankind's imagination throughout the millennia -
"My name is
Ozymandias, king of kings:
Look on my
works, ye Mighty, and despair!"
[Shelly
1818]
The greywacke stele of Mykerinus & the goddesses Hathor & Anput, in the Egyptian Museum |
Elsewhere
within the Museum are the seated figures of the high priest Rahotep and his
wife, Nofret. Rahotep, High Priest of Ra, the sun-god, was half-brother of the
Pharoah Cheops (Khufu) and consequently would have been the great-uncle of
Mykerinus. The most striking feature of these ancient figures are their realistic
eyes, finely wrought from rock crystal. Rahotep and his wife look quizzically
at us as we walk towards them, seemingly gazing into our very souls with the
wisdom of four and a half millennia. It is hard to believe the incredible age of these beautiful painted sculptures.
It
is from admiring such images as those of Mykerinus, of Rahotep and Nofret, by
seeing the massive Pyramids of Giza and the earlier Stepped Pyramid of the
Pharaoh Zoser at Saqqara that we can begin to
appreciate the amazing splendour and technology of this far distant age. It was
an age that persevered, through the vicissitudes of invaders and weak rulers
for almost 3000 years, assimilating the ways of the various invaders who
entered the Nile Valley. It was an age that reached its apogee in the New Kingdom some 3500 years ago, best illustrated by the
amazing treasure from the tomb of the boy-king Tutankhamen.
In a
special chamber in the Egyptian
Museum we can only gaze
admiringly on the exquisitely worked solid gold funerary mask of Tutankhamen. The
delicate gold, silver and inlaid scene of the boy-pharaoh and his queen on the
back of a royal chair describes a scene of domestic harmony, while the
beautiful protecting goddesses who guard the gilded-wood shrine containing the
king's viscera show that he was well accompanied in his journey through the
after-life, while an alert wooden jackal, Anubis, eternally guards
Tutankhamen's sacred mummy.
The solid gold funerary mask of Tutankhamun & the pharoah with his wife on the royal chair, Egyptian Museum, Cairo |
Butchering an ox, from the Mastaba tomb of Princess Idut, daughter of 5th dynasty pharoah Unas at Saqqara |
Each year further exciting discoveries are made from this fascinating era, and who knows, perhaps Egyptologists will one day find an unknown tomb rivaling that of Tutankhamun. To house these new discoveries a brand-new state-of-the-art Egyptian Museum is due to open, within view of the Pyramids in 2020.
© Neil Rawlins text & photography
My travel books are available from Amazon: One Foot in Front of the Other
One Foot in Front of the Other - First Steps |
One Foot in Front of the Other - Full Stride |